Colourising the First World War

“Colour adds another dimension to an image and helps bring the subjects ‘to life’ in a way that black and white images often can’t.”

Cover Image
The Lost Tommies in Colour, Tom Marshall (2016)

For a few years now, Tom Marshall has been colourising black and white photographs. As his techniques and methods continue to improve, he’s been fortunate enough to turn this amazing hobby into a job with home-grown, PhotograFix.

“I have worked with some of the world’s greatest photo archives and museum collections, with publishers and historians, and with private family photos that each have their own unique stories to tell.”

Using mainly Adobe Photoshop, Tom essentially colour washes the entire image, effectively making an individual painting. It may take several hours to complete, but Tom insists that it allows people, especially younger generations, to connect with the people they see.

“It’s a sad truth that black and white images are often ignored or go unnoticed.”

Spending most of his time researching the correct colours for uniforms, buildings, animals, and the like, Tom claims that sometimes it boils down to an “educated guess or using a degree of artistic license to choose a colour that looks ‘right.’” Luckily for Tom, subjects like the First World War are heavily documented and can be researched in libraries’ reference books or on internet forums.

His next project has been influenced by Australian journalist Ross Coulthart’s discovery of World War One photographs. In 2011, a team of researchers, led by Coulthart, made a remarkable discovery when they uncovered a collection of hundreds of photographs from the First World War. The images are now forever immortalised and featured in a book by Coulthart, entitled The Lost Tommies.

The Lost Tommies
The Lost Tommies by Ross Coulthart (2016)

 

“It was Doug Banks, who runs the WWI Colourised Photos page on Facebook, that introduced me to the project and my next challenge.

“When the BBC’s One Show began a public plea to try and identify the lost Tommies from the photos, contributors to Doug’s page rose to the challenge and started colourising the fascinating images to bring the subject’s to life and try and identify them.

“Of the hundred images, I chose the particular pictures for the sharpness of the facial details, as they stood out as having real feeling behind their eyes; like they’d seen things most of us couldn’t imagine.”

 

 

 

 

 

 

 

 

 

 

 

 

 

Original images courtesy of Ross Coulthart, author of ‘The Lost Tommies’ & The Kerry Stokes Collection – Louis & Antoinette Thuillier.

Tom Marshall would like to thank Ross Coulthart, head of the research team that uncovered these fantastic images and author of The Lost Tommies, for his permission to share these colourised versions.

If you should recognise any of the men featured in this post, please get in touch!

 

PhotograFix 1

 

Review: Love May Fail

I read this book in about 5 hours…

Matthew Quick

I read this book in about 5 hours.

Granted I skipped a whole section of about 20 ish pages and skim read some to get to the more juicier parts of the story, but I didn’t want to stop reading. I was fully immersed in the tale of Portia Kane, Chuck Bass (I’m not sure if this is Chuck Bass #1 or #2 XOXO?), Mr Nate Vernon and the Mother nun (this is the part I skipped – I’m sure it added heaps to the story but I don’t feel that I missed anything in not reading her letters).

I was surprised, in fact, as I wasn’t really a fan of The Silver Linings Playbook film, but then is the film ever better than the book?

This was a raw and eye-opening story that almost made me cry at times, felt empowered and ultimately lonely when I’d finished the book. It has some cracking quotes in it that you should definitely highlight, squiggly line, post-it note or write down somewhere to remember! It’s a very relate-able story that will leave you feeling like you’ve lost a friend when you turn the last page.

Highly recommended that you pick up this book!

 

Published by HarperCollins
416 pages
June 2015
978-1447247517